Yay, I love updating my website in one sitting! This one goes back to May 2023, where Drunk Monkeys (! love them !) published one of my pop culture poems (which as you will see I have been leaning into this year). “On Capitalist Art & Aquaculture” considers the connections between perhaps the world’s worst billionaire, Limp Bizkit, M&M’s, Robert Durst’s pathetically bad wigs and more! Read it here on Drunk Monkeys.

Writing this piece was a lot like “Be My (Forever) Valentine” in that it plays on sound, with the poem moving itself forward between ideas that have a topical connection and/or rhyme. I think this form/style works really well for a poem reflecting on how we’re all swirling around in a nonsensical abyss (yay!).

It really all did start with a spark, didn’t it? Explore the connection between the Big Bang, my family’s broken trash compactor from the 90’s, our never-ending spoon dilemma & the ultimate questions of existence swirling around us all. the. time., “My son wants to know what happened before the universe &” reflects on way too many coincidences in one week.

This is one of those poems that really kind of writes itself, when I allow myself to be open enough to reflecting on everything around me. Writing this was similar to “The Very Hungry Little Turtles”, originally published in The New Verse News and set to be republished in the Bitchin’ Kitsch later this month (December). More on that soon…. For now, read the full poem, “My son wants to know what happened. . .” in Yellow Arrow Publishing’s Spark Issue.

I Choose, Therefore I Am is a peaceful and public art project created and curated by textile artist Rachelle LeBlanc. Created in the wake of Roe v. Wade being overturned by the U.S. Supreme Court, the gallery show was held in Houston, Texas from March 11, to April 30, 2023. The permanent online exhibition can be accessed here.

*Photo courtesy of I Choose, Therefore I Am Project, Facebook 2023.

“Women’s March 2022-” is an actual pink pussy hat worn at the 2017 Women’s March on Washington, which coincided with the Trump Administration taking office. The clipped ear of the hat (as is done to stray cats once they are spayed to [insert Bob Barker voice] control the pet population), now bound back together haphazardly with blood-colored yarn, is indicative of the removal of agency and control over one’s own body that has been forced upon menstruating people across America—until further notice.

Inspired by “Things I Know” by the—well, inspirational—poet Sandra Simonds, “Things I Know About Patrick Swayze” explores the Ghost, Little Mermaid, Ghost Dad, Friedrich Nietzsche connection that seems to have been rolling around in my brain since I was devastated by the sight of Ariel’s new legs. I don’t know what else to say about it other than how grateful I am it found the coolest lit home at Maudlin House. Read it here!

A cute little musing on motherhood, family & the boy I call a cartoon mosquito, “The Sugary Sweet Song” was recently published in The Fieldstone Review, Issue 14. To read this and the rest of the sugar-themed issue, you can access The Fieldstone Review here.

Booza is a short, creative nonfiction piece that reflects on a situation I found myself in on my first trip to Palestine, in the Occupied West Bank. I knew that I wanted to write about it for some time, but I wasn’t exactly sure how or what to say. When I started detailing the experience—we happened to be leaving an ice cream shop—the relation between the uniquely stretchy ice cream and the experience just jumped out at me.

One of the most interesting things to happen since this piece was published was in hearing stories from family about their own (much worse!) experiences. It’s interesting to think how I may have never heard these stories if I hadn’t written my own.

Booza is an essay that reflects on the impact of our experiences—those that push and stretch us—even in ways we may not want. Read Booza here at Consequence Forum.

As part of their Valentine’s Special Issue, Blue River Review has published a fun little poem of mine, be (my forever valentine). A departure from many of my typical pieces, this poem is a light-hearted reflection of the all-encompassing nature of my own relationship with my partner & also happens to shout-out to some of my favorite things (Cheetos & daytime talk shows). Read be (my forever valentine) & all of the incredibly thoughtful pieces on Valentine’s Day at Blue River Review here.

The amazingly supportive and beautifully creative people at Prometheus Dreaming decided to breathe life into my spoken word poem, “Was it Something I Said,” and the result is truly earth-shattering. Featured as part of their monthly Thus Spake Prometheus (I knew all that college-age Nietzsche reading would come full circle one day) feature, the piece will be available during the entire month of February (2022) on their homepage and on their YouTube channel here.

Thank you to Prometheus Dreaming Editor, David van den Berg and voice actor Kerri Quinn for helping to bring this important piece into the world.

A critical view on Lady Liberty herself, “What’s Not to Like” appears in the latest issue of The Avenue. Purchase a copy here.